Susan Swartz: Personal Path at The State Russian Museum
"A white fused surface, ever so slightly warm in colour. On it, scratched with a palette knife or squeezed from a tube, there seems to be the silhouette of a flower or perhaps a tiny fountain, created when a drop meets the earth. This is not a sign — the meditation is minimal, the form is alive and procedural, be it in the process of emergence or disappearance. In any case, this process appears to be repeatable, returnable." - Alexander Borovsky
This catalogue is published on the occasion of the exhibition SUSAN SWARTZ. PERSONAL PATH at the State Russian Museum.
"A white fused surface, ever so slightly warm in colour. On it, scratched with a palette knife or squeezed from a tube, there seems to be the silhouette of a flower or perhaps a tiny fountain, created when a drop meets the earth. This is not a sign — the meditation is minimal, the form is alive and procedural, be it in the process of emergence or disappearance. In any case, this process appears to be repeatable, returnable." - Alexander Borovsky
This catalogue is published on the occasion of the exhibition SUSAN SWARTZ. PERSONAL PATH at the State Russian Museum.
"A white fused surface, ever so slightly warm in colour. On it, scratched with a palette knife or squeezed from a tube, there seems to be the silhouette of a flower or perhaps a tiny fountain, created when a drop meets the earth. This is not a sign — the meditation is minimal, the form is alive and procedural, be it in the process of emergence or disappearance. In any case, this process appears to be repeatable, returnable." - Alexander Borovsky
This catalogue is published on the occasion of the exhibition SUSAN SWARTZ. PERSONAL PATH at the State Russian Museum.
Images: 168 Color Photographs
Publisher: The State Russian Museum
Contributors: Alexander Borovsky, Walter Smerling, Dieter Ronte